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Hermann August Cappelen
(1 May 1827 - 8 March 1852) was a Norwegian painter. Cappelen was best known for his melancholic, dramatic and romantic landscape compositions.
Hermann August Cappelen was born in Skien, Norway. He was the son of Diderik von Cappelen (1795-1866) and Margaret Noble Severine Henriette Løvenskiold (1796-1866). Both the Løvenskiold and Cappelen families were prominent Norwegian family of merchants, land owners, civil servants and politicians. His family were the owners of prominent iron works and various other properties. His grandfather, Diderik von Cappelen (1761-1828), was member of the Norwegian Constituent Assembly at Eidsvoll in 1814.
He grew up at Holden, a manor in Ulefoss in the Grenland district of the county of Telemark. After school graduation in Skien in 1845, he went to Christiania to take another exam at the University of Oslo. He subsequently went to Dusseldorf, where he studied with Hans Gude. Cappelen was a student at Kunstakademie Dusseldorf under Johann Wilhelm Schirmer in landscape painting class (1846-1850). Related Paintings of Hermann August Cappelen :. | Baroncelli Polyptych | Der Kupferstich-Liebhaber | Judith Beheading Holofernes (detail) sdg | Republican Court | A Man Fishing | Related Artists: Gueldry Ferdinand-JosephFrench artist , Paris,1858-Paris,1945
Leon SpilliaertBelgian 1881-1946
Leon Spilliaert (1881 ?C 1946) was a Belgian symbolist painter and graphic artist.
Spilliaert was born in Ostend and from childhood displayed an interest in art and drawing. A prolific doodler and autodidact, he was predominantly a self taught artist. Sickly and reclusive, he spent most of his youth sketching scenes of ordinary life and the Belgian countryside. When he was 21 he went to work in Brussels for Edmond Demon, a publisher of the works of symbolist writers, which Spilliaert was to illustrate. He especially admired the work of Edgar Allan Poe.
Watercolor, gouache, and charcoal were the means by which he produced much of his best work, including a number of self-portraits executed in black crayon in the early years of the twentieth century. A significant influence on Spilliaert was Odilon Redon, whose expressive use of black finds parallels in his own work. Frequently depicting a lone figure in a dreamlike space, Spilliaert's paintings convey a sense of melancholy and silence.
His later work shows a concentration on seascapes. He died in 1946 in Brussels. Alexei Venezianov1780-1847
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